Chinese cyberattacks

Where are we vulnerable?

SINGAPORE — In remarks directed at China, Defense Secretary Chuck Hagel spoke Saturday of a “growing threat” of cyberattacks against the United States and called on America and its allies to “es­tablish international norms of responsible behavior in cyberspace.” (New York Times, June 1, 2013)

Where are we most vulnerable? Where  I described we’d be three years ago in

THE CHINA-AFRICA PARALLAX: A RYAN AND GILLIAN MYSTERY (sequel of Songs of Sadness, Songs of Love), by Larry K. Andrews. (Action-Thriller. Author ˛House, ISBN 978-1-4520-1765-5) The China-Africa Parallax: A Ryan and Gillian Mystery describes how representatives of China and Africa are conspiring to steal research data from major US universities. They will kill anyone who gets in their way in order to achieve their ultimate goal: China’s economic and military domination of the world. This is a fast-moving mystery with an emphasis on today’s geo-political issues and economics. Ryan Graves and his wife, Gillian Davies, characters introduced in Songs of Sadness, Songs of Love, assume perilous, key roles central to the FBI strategy to thwart the devastating conspiracy.

Thomas Ken

 Ordained in 1662, Thomas Ken successively held the livings of Little Easton in Essex, St. Mary's Church, Brighstone in the Isle of Wight, and East Woodhay in Hampshire; in 1672 he resigned the last of these, and returned to Winchester, being by this time a prebendary of the cathedral, and chaplain to the bishop, as well as a fellow, at Winchester College.

He remained there for several years, acting as curate in one of the lowest districts, preparing his Manual of Prayers for the use of the Scholars of Winchester College (first published in 1674), and composing hymns It was at this time that he wrote, primarily for the same body as his prayers, his morning, evening and midnight hymns, the first two of which, beginning "Awake, my soul, and with the sun" and "Glory to Thee, my God, this night," are well known. The latter is often made to begin with the line "All praise to Thee, my God, this night," but in the earlier editions over which Ken had control, the line is as first given. Both of these hymns end with a doxology beginning "Praise God, from whom all blessings flow," which is widely sung today by itself, often to the tune Old 100th.